
The New Yorker - 7 March 2011
PhotographyBB Issue 37 - February 2011
Gladget Magazine February/March 2011
VA - The Fabulous 50s [My Kind Of Music]
Modern Steel Construction - March 2011
After The Waterfall (2010)

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TATTOOS :: STEPHANIE FLEISCHMAN



When you live in a place like Wisconsin, it doesn’t seem to, it seems pretty isolated. I mean you have Minneapolis pretty close at the same time but how much interaction with the tattoo scene in general have you had out here? Where did you get your first inspiration, things like that?


Brittany Horner is no stranger to the dead. After graduating from Gupton-Jones College of Funeral Service, Brittany got a job with a large funeral home and has since had time to intimately explore what she terms a "morbid curiosity with death." It is from this curiosity that the ideas for her tattoos were derived: a disembodied zombie geisha head, her batwing chest piece, pirates, flowers, spider webs, a whole scene based on The Phantom of the Opera, a shark prominently displaying its dinner—a hooker's leg—and, of course, all the blood that ties the pieces together as traditional symbols of life and death (mostly the latter) in the mythology of American tattooing.